Select the preset for a given format in accordance with the available space on the target medium and the needs of the target audience. The sets of options available in the Settings area and on the Advanced tab depend on whether Blu-ray or DVD is the authoring mode. Legal Notices Online Privacy Policy.
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While this may apply to down-scaling, image quality when making images smaller is much less an issue than when making them larger. The only honest answer is try it and see. Unless you have strong lines — especially close to but not horizontal or vertical — you may not see a problem. In which case leave it off. Thanks, Steve. For the same project, the setting should match.
Otherwise, the instructions above should hold true. HI Larry! Sigh… sometimes you just need more horsepower. Premiere is converting to GPU rendering, but it is a slow process. When rendering, Premiere will match the bit-depth of your sequence, unless you tell it otherwise.
Keep in mind that render speed will also be affected by the number and complexity of effects applied to the clips. So, if you have an intense color grade going on, that, too, will slow things down. Finally, if you have access to a faster CPU, read this article and see if this helps speed things up:.
Maximum render quality only affects clips that are scaled. As the article states, if you see jagged bumpy edges, turn this on. Otherwise, you can leave it off.
Great info here! Thanks for making this write up. In addition to the automated exporting process, moving your render operations to a queue in Media Encoder allows you to use Premiere Pro CC simultaneously regardless of the editing task you might be working on at the moment. Nonetheless, keep in mind that performance inside of Premiere Pro CC may slow down while Media Encoder is rendering items in the background.
Limited Time Offer! So that one's grayed out because it's done, these two here are about to be done. So now I can hit-- let's say I've got, I've shown you that video I had earlier, had like hundreds of sequences. So I can load them all up in here, and then, maybe when I go to lunch, or go on my break, or it's night time, I can hit 'Play', and it goes through all of them, you see, it's doing this first one, and because, remember, I can keep working in Premiere Pro, keep doing stuff, change things, Media Encoder is working in the background There he is there, tickity tick, they're all done.
So those are the two main perks, is I can keep working in Premiere Pro, and I can export more than one sequence at a time. Now just as a little side note, is I often get a file footage that I need to convert. So this one here is m4a, and I'm like, "Ah! I'm just dragging it into this, you can use the more official way, and go to 'File', 'Add Source', and all appear in this list. You can say, "What do you want to convert it to? I converted them to be mp4s just to make them smaller, but there might be just some footage that-- like, you know, you've been asked for, "Can you send us an mp4, or MOV, or AVI.
You just dump it in, and say, "Actually you're no longer an MOV, you are an mp3," and that will be cool, will just pull out the audio from it, but let's say I want it to be an mp4. So remember, we're going to use this codec, H2. So it's very good, if you've ever had to convert footage, and you've done it through some sort of online thing, you sigh because you've probably done it, some sort of weird ad based convert, video online thing, it's painful.
Median Encoder has been around since the dawn of Adobe.
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